Allocine vod

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This paper focuses on the modalities of displayed participation, namely the ways in which platform users are or are not integrated into curation, selection and catalog structuring activities on commercial video-on-demand platforms. The issue here is not only related to the capacity of this industry to build a relationship with its audiences, it also has a political stake in considering ways to mobilize digital participation in a thoughtful and alternative way. However, apart from the dominant companies, there are also alternative offers—with a specific market positioning—which provide different ways of accessing films. Indirectly, this implies questioning the platform model as an injunction to implicit digital participation of audiences as a structuring axis of online cultural and social practices. The main hypothesis of this proposal is based on the paradoxical weakness of the participation mobilised by these websites, and the recourse to rather classical and institutional principles of authority for the selection and evaluation of films. The technical possibility of participation seems here to be blocked by cultural models of curation linked to film culture.

Allocine vod

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Then, on a political level, allocine vod, by examining the way in which these platforms engage with the notion of participation, beyond the well-established models of dominant digital platforms. Tout OpenEdition. Participation is therefore limited to cultural recommendations.

French audiences have been slow to embrace VoD in comparison to other major markets and the organisers want to buck this trend. The pre-event report revealed that there are 40 mainstream and niche VoD platforms in France offering 70, titles, 15, of which are feature films. Of the The report noted that the VoD transactions had risen by Delecour said it was impossible to know who would receive the most traffic through the initiative but added that was not the point. Screen International is the essential resource for the international film industry. Subscribe now for monthly editions, awards season weeklies, access to the Screen International archive and supplements including Stars of Tomorrow and World of Locations.

Contains ads In-app purchases. Everyone info. It is also all the information on the releases of films, series in theaters or at home: trailers, trailers, news Thanks to the geolocation you have the possibility of knowing the sessions to come very close to your position - A Streaming universe to find all the programs of the platforms to which you have subscribed. Answer 3 questions about your current mood and we'll select the best program to watch tonight! This movie should please you. It's unlikely To start the algorithm, all you have to do is rate at least 20 films and go! On the other hand, we suggest that you watch the trailers and trailers.

Allocine vod

The enterprise was founded as a telephonic communicator, and subsequently became an Internet portal site, which offers sufficient information by fast access and covers all movies that have been distributed in France. In , it began covering television series. The website is considered the "French equivalent of IMDb.

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Authority control databases. On the premise of the claims of a more or less original cinephile stance, in defence of a high-quality and creative cinema, one might have expected a stronger integration of potential audiences, which is what the communication narratives of these platforms are all about. Dans Hybrid. Dans tout OpenEdition. Indirectly, this implies questioning the platform model as an injunction to implicit digital participation of audiences as a structuring axis of online cultural and social practices. Industry insights. Navigation — Plan du site. Effective participation in a digital world presupposes that the agent can ultimately intervene in a meaningful way in the real concrete situation. Projects Funded. Nordic Script. Audience solicitation in online VOD services. Serial Teachers Les Profs. Serial Bad Weddings.

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Nordic Script. The participatory promise of digital platforms is not kept, because it seems to clash with the consumption practices of film as a cultural product, which are structured by the platforms themselves on the basis of curation models specific to cinema. The aim is to analyse this semio-communication process not only in relation to its cultural and socio-economic background—film industry—but also through the prism of the new framework in which it is now deployed: that of digital cultural practices. You will also recieve information about our events, funded projects and new initiatives. Learn more about Mailchimp's privacy practices here. Voir la notice dans le catalogue OpenEdition. We'd love to hear from you! Toggle limited content width. She focuses her research on participatory digital devices, whether developed in the cultural sector or in urban planning. Only registered users or subscribers can comment on this article. Subscribe to Screen International Screen International is the essential resource for the international film industry. Indeed, Mubi is both a VoD platform and a film review website.