Better call saul all black and white scenes

Do be warned that this article contains spoilers for the ending of Breaking Bad.

The Gene Takavic timeline in Better Call Saul was notable for its black and white aesthetic, but it also used color on four occasions to symbolize the state of mind of Jimmy McGill Bob Odenkirk. The complete lack of color in Jimmy's life as Gene represents everything he's left behind by shedding his Saul Goodman persona. The post- Breaking Bad timeline sees Jimmy live a quiet life as a humble Cinnabon manager, but it's clear that Saul Goodman is still in there, desperate to get out. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white.

Better call saul all black and white scenes

Ever since Better Call Saul began airing in , the series has regularly featured scenes that take place in black and white. The first episode of each season — apart from season 6 — has done the same as it explores the life of Gene Takavic, the alias of Jimmy McGill post-Breaking Bad, revealing tiny slivers of information about his new life in Omaha, Nebraska. Episode 10 of Better Call Saul season 6 goes a step further, though, as the entire episode takes place in black and white. However, this has left Better Call Saul fans with questions, with many asking exactly why the series makes use of black and white scenes. The very first scene of Better Call Saul takes place in black and white as the series catches fans up on the current whereabouts of Jimmy McGill, aka Saul Goodman, following the events of Breaking Bad. In the final season of the original show, Jimmy was forced to go into hiding and is now living with a new identity, Gene Takavic, in Omaha, Nebraska, where he now works as the manager of a Cinnabon store. The first episode of each Better Call Saul season — apart from season 6 — has featured similar scenes, expanding on the life of Gene Takavic and how his mundane job is a far cry and his days as the shady lawyer to the criminal underworld, Saul Goodman. This shows that Jimmy felt his life as Saul Goodman was vibrant and made him feel alive while his existence as Gene Takavic feels like a bleak and empty shell. During the heist in season 6, episode 10, Gene even reveals some of his feelings to Frank the security guard in an attempt to buy more time. As she was a new character for the prequel and is absent from Breaking Bad, fans have long pondered her fate. Season 6 of Better Call Saul finally confirmed that Kim does not die but instead ends her relationship with Jimmy and leaves Albuquerque as she believed the pair were too destructive together. Featured TV.

Rather than being a link back to his life as Saul, it's a link back to his life as the conman "Slippin" Jimmy McGill trying to reform by becoming a good lawyer, a good husband, and a good man, rather than Goodman.

Shadows and darkness feel more imposing in black and white. A brightly lit shot will feel vibrant and safe, whereas a single brightly lit object might look threatened amidst a sea of oppressive darkness. Vince Gilligan 's Better Call Saul makes use of black and white's stylishness with aplomb, using stark light lines and visual references to film noir to underscore the creeping dread felt by the show's main character as the metaphorical walls close in around him. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility.

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. These scenes follow Gene, who has since left his life and identity as Saul Goodman behind after the events of Ozymandias in Breaking Bad. After Walter White is revealed to be Heisenberg and the DEA starts coming after him, Saul is compromised and forced to abandon his life in Albuquerque. He becomes Gene, a Cinnabon manager in Omaha, and hopes to live a peaceful life and avoid the authorities. Be sure to search for Twinfinite for more BCS-related coverage, including the questions we have going into part 2 of season 6 , and check out our trivia and personality quizzes as well. Skip to content Category: Guides. Fast times at the Cinnabon in Omaha. Zhiqing Wan. Published: Jul 13, am.

Better call saul all black and white scenes

This week marked the end of an era, as Better Call Saul signed off after six seasons, effectively closing the book on the Breaking Bad universe in the process. The final few episodes took place mostly during the post- BB timeline, where Saul Goodman was going by the alias Gene Takavic. The installments were notably presented in black and white though, interestingly, there were a handful of colorized moments. Now, series co-creator Peter Gould has shed some light on the meaning of those sweet, artistic flourishes. In the more recent episodes, there were a few other instances in which color popped in. His nostalgia for Saul, not for Jimmy. I wanted to make sure everyone was watching the wonderful performances by Bob and Rhea and not getting distracted by technical artifice. Each use of color is a little bit different.

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Learn more. Here we see Saul being boxed in by the black rectangles created by film noir style black and white lighting. Darkness surrounds Saul as he reaches into his hiding space to find his stowed valuables. His words damn him in the eyes of the law, but provide Saul, now Jimmy again, with a bit of emotional catharsis. As she was a new character for the prequel and is absent from Breaking Bad, fans have long pondered her fate. It's a subtle visual clue that Jimmy can never go back to the glamorous lifestyle of Saul Goodman. When Jimmy joins Kim for a cigarette in the caged sunbeam, light meets dark in a final moment together. The focus on the machinery and the baking process is a masterful piece of direction and cinematography that both establishes Jimmy's new life, and reminds the viewer of how he got there. It's interesting to note that the flame is the only use of color that doesn't link directly back to Saul Goodman. Rather than being a link back to his life as Saul, it's a link back to his life as the conman "Slippin" Jimmy McGill trying to reform by becoming a good lawyer, a good husband, and a good man, rather than Goodman.

Ever since Better Call Saul began airing in , the series has regularly featured scenes that take place in black and white. The first episode of each season — apart from season 6 — has done the same as it explores the life of Gene Takavic, the alias of Jimmy McGill post-Breaking Bad, revealing tiny slivers of information about his new life in Omaha, Nebraska. Episode 10 of Better Call Saul season 6 goes a step further, though, as the entire episode takes place in black and white.

Although in Kubrick's film the room, light, and table are ovular, there is a palpable similarity between the Strangelove characters discussing brutal, tragic events with a detached, unsympathetic tone and Saul Goodman's similar cynicism. In the series finale, "Saul Gone," when Marion Carol Burnett discovers that the seemingly kind Gene is none other than conman on-the-lam, Saul Goodman, she calls Life Alert to report him while Saul rushes to his car. But Saul provides temptations for Kim as well, coaxing her to use her charisma for grifting and confidence tricks, risky yet thrilling behaviors she starts to enjoy. Without Kim to remind Saul to consider the repercussions of his actions, he devolves from an occasionally empathetic huckster into a fully self-serving charlatan and accomplice to the budding drug kingpin, Walter White Bryan Cranston , as seen in Breaking Bad. Saul finishes confessing and tells those around him that he is Jimmy McGill, the name he was born with, a final sign that he is trying to be fully honest. When Saul speaks of his deceased brother Chuck, we see from the odd perspective of an exit sign, which buzzes with electricity, the same kind of hum that tormented Chuck while he was alive. When he testifies, revealing the truth of his crimes and misdeeds, the ceiling is as dark as storm clouds overhead, but Saul himself is bathed in white light, as if finally basking in truth. Strangelove 's war room. Director Peter Gould 's use of black and white to draw the viewer's eye and aid in the framing of his shots is spectacular. The focus on the machinery and the baking process is a masterful piece of direction and cinematography that both establishes Jimmy's new life, and reminds the viewer of how he got there. When he reaches underneath the car to retrieve them, he looks squashed and desperate amongst the shadows. The first episode of each Better Call Saul season — apart from season 6 — has featured similar scenes, expanding on the life of Gene Takavic and how his mundane job is a far cry and his days as the shady lawyer to the criminal underworld, Saul Goodman. When you purchase through links on our site, we may earn a small affiliate commission.