Buttons as eyes

Before I emigrated, my sister and I split our photographic inheritance arbitrarily and irreparably in half. One portion remained with her, and the other was displaced along with me, buttons as eyes, here in America. For the past decade, this archive of family photographs has been my primary source material in creating bodies of work which explore the migrant narrative and experience; albeit through a personal lens.

New customer? Create your account. Lost password? Recover password. Remembered your password? Back to login. Already have an account?

Buttons as eyes

It is a question laced with parental fear. Her concern was not only about my inability to see some trivial object right in front of me, but our collective inability to see well enough to navigate in the world. And with the benefit of hindsight those worries have political dimensions that may be read as implicit in the work. In Buttons for Eyes I explore broader cultural debates around migration and identity, particularly as they have been recast in the dramatically changed context of anti-immigrant rhetoric now amplified at the highest levels of government, and which has altered the context in which migrant voices like mine are heard. Despite these weighty issues, there is playfulness embedded in the very title Buttons for Eyes, suggesting that perhaps seeing clearly calls for looking at the world in more unusual ways. Play occurs in this work in my use of both color and natural light. They are my materials to manipulate; split into sparks, smear into rainbows, and find shimmering back from the depths of powdered pigments. In this series my concern for the past that is lost to me is apparent, but so is my concern for the future and the losses that will come. And although this work mythologizes the past and present it also plays games with them. It winks, pokes and inverts - suggesting joyousness - mixed with the loss and regret that accompanies us all.

For the past decade, this archive of family photographs has been my primary source material in creating bodies of work which explore the migrant narrative and experience; albeit through a personal lens. Sona and Me Premier Pandminibuttons as eyes,

.

Typewriter with googly eyes for keys. Security Icons — Inky Series. Circular Flat Lay arrangement of colorful evil eye charms. Pressing video door entry system with copy space. Concentric circle icon. Private video door entry camera.

Buttons as eyes

The buttons symbolize the fact that the other mother sees Coraline as a doll or a plaything—she wants to keep Coraline in her world and do with her what she wishes. The symbol of the buttons, however, also goes the other way. Suddenly Coraline realized how hungry she was. It smelled wonderful. They went into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. Outside, the world had become a formless, swirling mist with no shapes or shadows behind it, while the house itself seemed to have twisted and stretched. The other mother was waiting for [Coraline], standing on the grass with her arms folded. Her black button eyes were expressionless, but her lips were pressed tightly together in a cold fury.

La focaccia melville menu

Lost password? If you are in possession of the goods, you are under the duty to retain them and take reasonable care of them. Flour and Wedge, In the last year those private references and broad themes have taken on a new public significance that requires a creative response, by delving deeper into my own immigrant narrative, engaging with its personal but increasingly, if accidentally, political context. Furniture and Altar Pieces, Your payment information is processed securely. Login here. Mama and Muma, Unless items are faulty the buyer is responsible for paying the return postage costs. Sona and Me Breaux's Studio , Create your account. Muma Pattern in Flour , And with the benefit of hindsight those worries have political dimensions that may be read as implicit in the work. Inevitably I too, and my experience as a migrant, will become mythologized by my children and then by their children. Sizes;

Sewing onto a wider or offset circle of white felt can also help it read more as eye and less spooky raggedy ann doll that wants to haunt you.

Once you have notified us that you wish to cancel the order, any sum debited to us will be refunded to you as soon as possible within 14 days of your cancellation. Your right to cancel an order for goods starts the moment you place your order, and ends 14 days from the day you receive your goods. Muma and Baba Honeymoon , In the last year those private references and broad themes have taken on a new public significance that requires a creative response, by delving deeper into my own immigrant narrative, engaging with its personal but increasingly, if accidentally, political context. We do not store credit card details nor have access to your credit card information. Muma and Sona, Despite these weighty issues, there is playfulness embedded in the very title Buttons for Eyes, suggesting that perhaps seeing clearly calls for looking at the world in more unusual ways. Eye, In this series my concern for the past that is lost to me is apparent, but so is my concern for the future and the losses that will come. They are my materials to manipulate; split into sparks, smear into rainbows, and find shimmering back from the depths of powdered pigments. Flour, Guest Check, Size: 15mm Size 24 15mm Size 24 View fullsize. Before I emigrated, my sister and I split our photographic inheritance arbitrarily and irreparably in half.