Byzantium film

Residents of a coastal town learn, with deathly consequences, the secret shared by the byzantium film mysterious women who have sought shelter at a rundown hotel.

All I knew going into "Byzantium" was that it marks director Neil Jordan's return to the genre he and novelist Anne Rice helped make viable for Hollywood studios almost twenty years ago, with " Interview with the Vampire. I find the entertainment industry's ongoing vampire gold rush, and pop culture's fascination with sexualized gore in general, to be insipid, boring and ghoulish in a trivial way that's unique to folks who haven't experienced much real violence or loss: goth slumber party. What a pleasure it was, then, to be won over by this exquisite, lovely film, in which contemporary characters struggle to suspend their disbelief in vampire lore while Jordan's eye for formal beauty and truthful performances suspends ours. There is a very true moment in David O. Russell's film " The Fighter " where Amy Adams is trying to stay angry and distrustful of her pathetic junkie brother-in-law Christian Bale but her heart can't help but reach out to him when he pleads sincerely for understanding. Noticing some cake icing smeared on his forearm, she says, "What's that blue shit on your arm?

Byzantium film

Residents of a coastal town learn, with deathly consequences, the secret shared by the two mysterious women who have sought shelter at a rundown hotel. Clara : I'm never merciful, and knowledge is a fatal thing. Sign In Sign In. New Customer? Create account. Byzantium R 1h 58m. Play trailer Drama Fantasy Horror. Director Neil Jordan. Moira Buffini. See production info at IMDbPro. Top credits Director Neil Jordan. Videos 4. Trailer Watch International Version.

Back in the present day, Eleanor has fallen in love with Frank and decides to help him turn into a vampire so they can be together, byzantium film, since he will otherwise die from leukemia.

Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret—they were born years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequences. Manuel Dan McRae.

I n his fine-looking new fable, Neil Jordan deals with two themes that have recurred in his work since Angel , the brilliant thriller about the Troubles with which he made his auspicious debut 31 years ago. One concerns the position of people who find themselves simultaneously pursuer and pursued; the other is about someone who takes on weighty responsibilities for the safety and welfare of others. In this case, they are a mother and daughter, the ruthless, beautiful, unscrupulous Clara Gemma Arterton and the kind, principled, vulnerable Eleanor Saoirse Ronan. Both have been vampires since the early 19th century when Clara was raped and abandoned by the naval officer who fathered Eleanor. During this time, they've been pursuing their own bloody agendas while in flight from a different, less forgiving group of the undead. Currently, they've escaped their latest killings and found refuge in a deserted art nouveau hotel in a run-down seaside resort in reality Hastings, photographed as the last stop on the road to hell by Sean Bobbitt, the cinematographer who recently shot The Place Beyond the Pines in the US. Byzantium is a complex film that combines a traditional gothic horror story though not one that sticks to traditional vampire law , social history and a realistic account of dealing with authentic physical distress. I have no particular liking for vampire movies, usually finding them morbid, and rarely erotic or illuminating. I can, however, see differences in quality and recognise that Byzantium is superior to Jordan's lugubrious, self-important Interview With the Vampire of 20 years ago, and in an altogether different class from the Twilight series based on Stephenie Meyer's novels.

Byzantium film

Byzantium opens today in limited release. The possibilities of the vampire story have become increasingly limited. The story has been around for so long, and has been done so many ways, especially of late, that it's difficult for a storyteller to come in and find a new spin within the predefined parameters of what we all agree is a "vampire": a bloodsucking immortal. In his new film Byzantium , director Neil Jordan has seized upon the "immortal" part and how a vampire would always be, in a sense, frozen in the past and unable to move forward. Consequently, Byzantium has trouble gaining any momentum. As its protagonist moans about telling a story hundreds of times but never finding anyone to listen, the film struggles to find a rhythm and gets bogged down in some cringeworthy dialogue. But the most frustrating aspect of Byzantium is how it fails to pursue a thoughtful, gender-related idea that holds far more potential than another exploration of how vampires are accursed creatures sentenced to wander the earth alone forever and ever anon. Eleanor Webb Saoirse Ronan is miserable being a vampire. She has been sixteen for over years, stuck with her overprotective vampire mother Clara Gemma Arterton , and isolated from the world because she's forbidden to share her story with anyone.

Coin dg reg fd

The mirror nature of the monster forces individuals to confront their true selves, [15] thus suggesting that eternal life is realized through the reconciliation of human imperfections and weaknesses. Running time. Sam Englebardt William D. Whereas the earlier film was an elegant and well-dressed Gothic, this makes even its historical flashbacks seem cold and uncomfortable and imbues all its characters with dread and desperation. Clara only feeds on and kills "bad" men like pimps, while Eleanor takes old and sick people who have expressed a wish to die. Reset poster Reset for item Save changes Save for item. Heel—Face Turn : Darvell decides to turn on the Brethren and save Clara's life rather than blindly follow their rules any longer. Ireland United Kingdom United States. Invisibility is a recurring characteristic of vampirism, through both film and literature. You either ignore it, or treat it ironically, like the spoof movie Vampires Suck, which had one good line: "In the 80s, coke was all the rage; the 90s, grunge. USA R. As a result, they are able to move in the shadows with their social status limiting their visibility.

All I knew going into "Byzantium" was that it marks director Neil Jordan's return to the genre he and novelist Anne Rice helped make viable for Hollywood studios almost twenty years ago, with " Interview with the Vampire.

The pavement would prevent Clara from seeing her until Eleanor has come out from the lower level. Jonny Lee Miller Ruthven. Feminist Media Studies. The ending has her bringing him to the island. The fact her low birth is also a strike against her falls squarely into this trope too. Voiceover haters…. He rapes his own daughter, leaving her barely alive. Their motivation is proven to be little more than petty sexism when it's made clear Clara and Eleanor are more than capable of maintaining The Masquerade. Clip Clara Arterton and her daughter Eleanor Ronan , both vampires, have been on the run together from the Brotherhood, an order of male vampires, for years. ISBN Article Talk. For the Evulz : The Captain's motivations for his abduction, imprisonment and repeated rapes of Clara. While exploiting the textures of weathered real-world locations as flavorfully as the kitchen sink realist Ken Loach , Jordan and Bobbit stick to elegant, balanced movements and classical editing that make even a bumpy foot chase feel like a waltz. It centres around a mother-daughter vampire duo, who have spent their lives on the run for two centuries.