Francis bacon self portrait 1973

The work falls under the expressionism movement style, which emphasizes subjective feelings and emotions over objective reality. Bacon created this painting during his most introspective phase following the death of George Dyer, his former lover.

A sink, a bare bulb, a Brentwood chair a mirror reflecting his back side and a watch reading 10 past 5. Bacon leans on his elbow on the corner of a bare sink, floating in air. His legs are twisted around one another in some kind of paroxism, and his hand is on his forehead above a screwed up, jowly face. It is a truly harrowing picture. Why the bathroom? This is a location where his lover George Dyer committed suicide. Or, is he waiting for the pub to open at to drown his sorrows of life?

Francis bacon self portrait 1973

The information in the present section on francis-bacon. Paintings are catalogued chronologically, under the year of their completion: thus a painting dated will be found in Among the paintings with descriptive titles in the catalogue, many did not emerge into public view until after But he employed many other media, and was fond of mixing sand, dust, fibres and pastel, for example, with his oils. While every effort has been made to include these details, until paintings are examined and ideally scientifically tested with the glass removed, the descriptions of media will inevitably be incomplete. After , Bacon titled, signed and dated, on the reverse of the canvas, a majority of his paintings: before that date he only did so intermittently. It has been our aim to record all such details, but there are almost certainly omissions. The modern practice of fixing backing boards on paintings means that, even when granted privileged access to works, it is not always possible to inspect the reverse side. The photography dates provide key data, therefore, in the chronology of paintings. Bacon destroyed many hundreds of paintings. Doubtless Bacon cut the canvasses so as to leave the stretchers intact for reusage, but while he could not have foreseen the tattered fragments eventually having a commercial value, or being exhibited, he could have rendered the destruction more complete by burning the fragments, for example. Two of these are paintings which had been sold and were destroyed in accidents while in private ownership; a third was damaged beyond restoration when it fell into Tokyo Dock.

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AAGR 5 years This estimate blends recent public auction records with our own private sale data and network demand. There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry. Medium: Lithograph. Edition size:

Startling in colour, bold in gesture, and unmistakably Baconian in effect, this painting is a masterwork of self-interrogation. This painting does not possess the carved tangle of physiognomic forms or time weariness evident in self-portraits from the immediate years post-Dyer; instead, it emanates an alert youthfulness. Characteristically taciturn when asked to explain his work, Bacon endlessly insisted his paintings were not expressing anything at all. Contrary to this however is the tremendous body of scholarship through which art historians have unpacked an arena of multifaceted allusion and inference; lines of inquiry sparked by the immense repertoire of source material that Bacon used. The present work represents a moment of clarity and growing resolution for an artist emerging from the pain of mourning that had deeply afflicted his work of the past four years. Created with Sketch. Contemporary Art. Past Auction. Email Address. First Name.

Francis bacon self portrait 1973

The information in the present section on francis-bacon. Paintings are catalogued chronologically, under the year of their completion: thus a painting dated will be found in Among the paintings with descriptive titles in the catalogue, many did not emerge into public view until after But he employed many other media, and was fond of mixing sand, dust, fibres and pastel, for example, with his oils. While every effort has been made to include these details, until paintings are examined and ideally scientifically tested with the glass removed, the descriptions of media will inevitably be incomplete. After , Bacon titled, signed and dated, on the reverse of the canvas, a majority of his paintings: before that date he only did so intermittently. It has been our aim to record all such details, but there are almost certainly omissions.

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Arsham, Daniel. Rauschenberg, Robert 31 works. Johnson, Rashid 9 works. My Mother And A Parrot. Stella, Frank works. Wool, Christopher 30 works. I was amazed every step of their all inclusive process They did everything they said they would and had my art sold and money in the bank well before I expected. Self-Portrait by Francis Bacon. Nara, Yoshitomo. After , Bacon titled, signed and dated, on the reverse of the canvas, a majority of his paintings: before that date he only did so intermittently. This precept has been adhered to in the present catalogue. View all. Auerbach, Tauba. Shrigley, David works. Product variants 11 x 17 in.

Tate Etc 9 January We bring together a mix of writers, museum directors, artists, musicians and filmmakers to pay homage to the legendary artist. For me, realism is an attempt to capture the appearance with the cluster of sensations that the appearance arouses in me.

Hollowell, Loie 5 works. Bacon, Francis. Piper, John. Johns, Jasper 36 works. Party, Nicolas. There aren't enough data points on this work for a comprehensive result. Caulfield, Patrick 41 works. Ann In The Studio. Caulfield, Patrick. London: Constable , Weiwei, Ai. Build your portfolio, manage valuations, view return against your collection and watch works you're looking for. Perry, Grayson 29 works. Destroyed paintings Bacon destroyed many hundreds of paintings.