House of tolerance 2011

At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery. Sign In Sign In. New Customer? Create account.

Possessing static architecture and a cast of low-key actors, the film does not have the energy required to infect even the most vulnerable viewer with its despair or its occasional lightheartedness. Bonello set his film at the end of the 19th century, a transitional time for the sex industry. Brothels could no longer pay for themselves, so the community of women who lived and worked in them split up, individuals moving to the more solitary and dangerous life peddling flesh on the street. The overall feel is claustrophobic, and Bonello and the Madame do not let the women go outside, at least alone, for fear of being charged with solicitation. Most of the women were in serious debt to the Madame, so did not have the freedom to move out and possibly attempt to earn money in a different fashion. What is up on the screen is a stuffy prison of a workplace, so architecturally self-conscious that its use becomes mannered. The overall feel is enervation and resignation.

House of tolerance 2011

The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May The story is set in a luxurious Parisian brothel a 'maison close', like Le Chabanais in the early 20th century, and follows the closeted life of a group of prostitutes: their rivalries, hopes, fears, pleasures and pains. The genesis of the project was a merge of two film ideas Bertrand Bonello had been thinking of. About ten years earlier, he had tried to make a film about modern brothels, but the project had been cancelled. After finishing On War , Bonello decided that he wanted his next film to be about dynamics within a group of women, and his partner suggested a film about prostitutes in a historical setting. The director then became interested in the aspect of a brothel as a closed world from the viewpoint of the prostitutes. The idea of a scar in the form of a smile came from the film The Man Who Laughs , an adaptation of Victor Hugo 's novel with the same name. Bonello says he dreamed about the film two nights in a row while he was writing House of Tolerance , and decided to include a female character with such a scar. Bonello wanted a mixed ensemble of both professionals and amateurs who above all worked well together as a group. Bonello chose to focus the camera on the girls and almost never their clients.

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Bertrand Bonello's "House of Pleasures" is a morose elegy to the decline of a luxurious Parisian bordello, circa , a closed world in which prostitutes and their clients glide like sleepwalkers through the motions of sex. Elegant and detailed production design creates L'Apollonide, a high-priced whorehouse on a respectable boulevard, where a madam and her women of commerce lead a life as cloistered as in a convent, or a prison. In only one scene, a swimming party on a riverbank, are the girls allowed outside. The house supplies all their needs. There is a stately entrance hall with marble statuary and a staircase leading up to a drawing room that is a cocoon of overstuffed sofas, plush cushions, Oriental rugs, ancient brass lamps, candles, sometimes music on a piano. Here rich men languish with champagne and tobacco while beautiful young women, expensively dressed or undressed, cuddle and caress them, and the madam's sleek black panther dozes on a velvet settee.

Sign In. House of Tolerance Hide Spoilers. FrenchEddieFelson 27 March A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory.

House of tolerance 2011

The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May The story is set in a luxurious Parisian brothel a 'maison close', like Le Chabanais in the early 20th century, and follows the closeted life of a group of prostitutes: their rivalries, hopes, fears, pleasures and pains. The genesis of the project was a merge of two film ideas Bertrand Bonello had been thinking of. About ten years earlier, he had tried to make a film about modern brothels, but the project had been cancelled. After finishing On War , Bonello decided that he wanted his next film to be about dynamics within a group of women, and his partner suggested a film about prostitutes in a historical setting. The director then became interested in the aspect of a brothel as a closed world from the viewpoint of the prostitutes. The idea of a scar in the form of a smile came from the film The Man Who Laughs , an adaptation of Victor Hugo 's novel with the same name. Bonello says he dreamed about the film two nights in a row while he was writing House of Tolerance , and decided to include a female character with such a scar. Bonello wanted a mixed ensemble of both professionals and amateurs who above all worked well together as a group. Bonello chose to focus the camera on the girls and almost never their clients.

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It takes the audience out of their comfort zone. Details Edit. Bonello set his film at the end of the 19th century, a transitional time for the sex industry. Phil Coldiron of Slant gave the film four out of four stars, writing: "Not many films have ever approached the possibilities afforded by the slippery subjectivity of cinematic time so directly, or with such intelligence. Edit page. Bonello says he dreamed about the film two nights in a row while he was writing House of Tolerance , and decided to include a female character with such a scar. One girl pretends to be a geisha, another an automaton. Toggle limited content width. The film is too uneven in structure and aesthetic to generate much interest from festivals, but might do okay business in ancillary in the US, where the Weinstein Company has the rights. She doesn't like this game and asks him to stop. At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery. After that there is a scene where we hear fireworks for Bastille Day 14 July. Contribute to this page Suggest an edit or add missing content.

At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.

Io Capitano Katie Rife. Release date November 25, United States. Top Gap. After that there is a scene where we hear fireworks for Bastille Day 14 July. The overall feel is enervation and resignation. Retrieved 14 April Best Original Music. The project feels constipated through and through. Such bleakness in a genre that has known catfights and general pizzazz will not translate well into profits, except perhaps in some French markets. The reference to the pseudo "study" that one idiot sites in the film, the choice of music, the way the film ends - all help to make the audience think about the film and its story not as something from the past, but as issues that continue on and the reasons society maybe behind these issues.