Industry season 2 review

The deliciously evil banking drama is back! And it just gets better and better as the characters get worse and worse. At its best, the banking-and-wanking saga is as stressful as drinking 10 double espressos in a row then having to speak in public, naked, with no time to prepare, industry season 2 review. I barely understand the dialogue, particularly when it comes to the financial side.

We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Once a feared operator known in the biz as the Terminator, Eric, played by Ken Leung , now fears being terminated himself. Once drunk with power, he is now just plain drunk. He, and his colleagues, would certainly know. Young workers chase commissions; predatory clients and polyamorous coworkers chase tail. Stories of workplace abuse are exchanged and leveraged like foreign currencies.

Industry season 2 review

Along with consistent pacing, acting and song choices, the writing improves with each episode and the stakes are driven higher with each business and personal decision made. While each episode has its own contained narrative, all of them expertly lead up to the finale, in which character arcs have reached resolutions in one way or another. Every scene is brimming with tension — between integrity and power, duty and greed — and situations that are complicated by inevitable but understandable choices, as the momentum continues to grow. The complex situations the writers place the despicable yet fascinating characters in give the actors ample material to work with in their performances. This is most apparent on two occasions: in the final scene of the second episode, when she successfully closes the deal to get Bloom to buy stock, and when she encounters her brother in Berlin, confronting uncomfortable truths that force Harper to face the deep wounds of loss and guilt she carries from putting herself before her family. Eric is given more depth this season: In the fourth episode, the audience sees the strain his work places on his family life. When he is essentially told that he is no longer needed on the trading floor later in the same episode, the confusion and muted shock that Leung portrays is masterful. The acting is supported by a score that skillfully captures the atmosphere of the show and the ambitious nature of young working professionals. Additionally, the well-curated soundtrack that features artists such as Beach House and Okay Kaya often thematically reflects what is going on in the show. This growing encroachment of their personal lives into their professional and vice versa is smoothly integrated by the writers, who humanize the characters by making each of their motivations understandable. The audience cannot help but root for some of the characters and their success despite their questionable motives and often asinine decisions — a testament to perceptive writing. Please call Martin at

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Things you buy through our links may earn Vox Media a commission. But what really distinguishes Industry as a show about wealth and power, and especially the screwy, backstabbing machinations that go into creating wealth and power, are its dialogue and sound design. Language flows through the show, slipping across a range of accented English to Italian, French, German, and Arabic and perpetually wallowing around in the totally incomprehensible to me language of financial trading. I barely know what a short sell is. Something-something-something trading long?

The world of Pierpoint—and finance in general, it follows—is not only ruthless but cold-hearted. Sure, Harper may still feel slightly guilty over having ousted Eric more or less. As does Danny, for sure. But to be open, to be vulnerable, is to show weakness. Asking permission to be vulnerable, then, allows both Harper and Daniel to maintain a modicum of distance between their feelings and their everyday interactions. Harper, Yas Marisa Abela , and Robert Harry Lawtey all spiral out of the controlled space of the office and into wilder territory, finding themselves confronting family histories that all but ask them to revert back into the anxious, clueless, and needy kids they once were. Reunions with a brother, a nanny, and a father, respectively, allow each to reexamine where they once were and where they are now. Only, they each find that such neat encounters were never going to work. To remain stoic. To forgo any emotional excess—which none can accomplish.

Industry season 2 review

The camera frames Harper from behind: We see her neat bun and crisp, tailored blazer, but not her face. As Robert Spearing Harry Lawtey tries to be a better man, he only becomes more codependent with an abuser. When Yasmin Kara-Hanani Marisa Abela decides for once to have a backbone, she ends up cut off from the teat of her publishing tycoon father. While Gus Sackey David Jonsson arguably sells out for the finer things in life, Harper faces the threat of being forced to go home. In the pursuit of self-actualization and stability, you end up becoming reliant on something or someone new, be it money, a donor or something else altogether. Over the course of the season, Danny realizes his privilege and grapples with the fact that he is a cog in a system that perpetuates violence and overlooks abuse, leading to a tearful epiphany on the toilet.

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Hover and click to give a rating Saved. The Daily Beast. Join our commenting forum Join thought-provoking conversations, follow other Independent readers and see their replies Comments. Industry keeps two cogs of tension whirring. Please enter a valid email and try again. Enter your email: Please enter a valid email address. Who are they kidding? Read More. Top Cast View All. Email required. But their success comes with a hidden cost: the bank would want them in New York. Reuse this content. Once drunk with power, he is now just plain drunk. Harper, Yasmin, Robert and Gus's morals are put to the ultimate test as sacrifices are made at Pierpoint. Vanity Fair.

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Somehow, no matter how terrible they are, I am rooting for Robert, Yas and Harper to succeed — or not even to succeed, but to somehow get out of there alive. Its creators—Mickey Down and Konrad Kay, both of whom once worked in banking—operated in a minor key: capturing the bewilderment and rapaciousness of being ambitious and young and layering in dense, near-unintelligible finance jargon and a trance-y score that gave the show assuredness and an air of hyper-modernity. The dialogue is so laden with financial jargon it occasionally becomes unparsable. Still, if Industry is to be renewed for a third season, it will be in large part because of its proven track record—the big ideas that have driven the show until now. I barely understand the dialogue, particularly when it comes to the financial side. My Score. Where to Watch. When Ven seeks help from Yasmin, Yas dismisses the assault, not least because she has suffered similarly — causing it to escalate upwards. Get a list of the best movies and TV shows recently added and coming soon to the Peacock streaming service, updated frequently. She lies disillusioned in bed with her bored, married new boss Celeste Pacquet; she is dismissive to a younger employee who confides in her about a sexual assault by a client; she is reduced to dining-and-dashing and scrounging for cab money and getting Robert, disastrously, to source her some blow. This password will be used to sign into all New York sites. And it is stuffed, bloated even, with unpleasant characters doing terrible things to one another and the world.