Know thyself berlin

Know thyself brings together new works from his ongoing series in which he recontextualises art historical and know thyself berlin images by deconstructing and reconstructing them with Lego bricks. With this medium, as playful as it is immediate, spanning both generations and countries, Ai undertakes a critical analysis of the Western cultural canon, infused with references to his own artistic career. In the course of his career, Ai has repeatedly created Lego works in order to question the criteria of pictorial composition and production through the manual processing of hundreds of thousands of building blocks, know thyself berlin.

Courtesy the artist and neugerriemschneider, Berlin. Photo: Jens Ziehe, Berlin. LEGO bricks. Opening at our Christinenstrasse location to coincide with Berlin Art Week and the fall edition of Gallery Weekend Berlin, Ai here continues his extended engagement with imagery created from Lego bricks to reassess, de- and reconstruct or contextualize anew works from throughout art history and the contemporary media landscape. Using a traditionally playful, immediate, generationally and geographically ubiquitous medium to analytical, critical extents, Ai shapes a veritable survey of both the Western cultural canon and of his own artistic trajectory.

Know thyself berlin

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Miettinen Collection Salon Dahlmann. Neuer Berliner Kunstverein.

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Courtesy the artist and neugerriemschneider, Berlin. The point of departure for the man who disappeared amerika is a set of letters sent by Pflugradt to his parents, siblings and friends — four extended reports, each spanning numbers of months — from between and A series of paintings by Majewski entitled Unreliable Images explores potential alternate manifestations of these letters, considering the interface between the read and the seen. Using an artificial-intelligence algorithm that generates pictorial output from prompts — here, vivid fragments from the source letters — and the near-infinite set of existing online imagery, Majewski begins to conceive of the scenes Pflugradt describes as he may have depicted them. She takes these technically driven products of collective memory as foundations to be built upon and modified, their digitally sterilized, ahistorical compositions disrupted and interpreted through her process.

Know thyself berlin

Know thyself brings together new works from his ongoing series in which he recontextualises art historical and contemporary images by deconstructing and reconstructing them with Lego bricks. With this medium, as playful as it is immediate, spanning both generations and countries, Ai undertakes a critical analysis of the Western cultural canon, infused with references to his own artistic career. In the course of his career, Ai has repeatedly created Lego works in order to question the criteria of pictorial composition and production through the manual processing of hundreds of thousands of building blocks. He successively expanded his investigation of the representational and conceptual possibilities of this medium to develop replicas of iconic artworks and other well-known images. Following Marcel Duchamp and his legacy of the readymade, Ai uses a mass-produced material to adapt existing motifs, which he often transposes into his personal social and political context through modifications. In his presentation at neugerriemschneider, Ai combines eight such interpretations in Lego.

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Frida Orupabo. Miriam Jonas Comfort Zone. Opening: Wednesday, At the same time, the pixel-like representation possesses an image quality that oscillates between abstraction and figuration and is related to the exhibited homages to Pollock and Monet. On Rape — And Institutional Failure. For the Love of Liberty? Jenna Bliss, Carol Rhodes. Erwin Wurm. Rirkrit Tiravanija untitled the sea you see is not what others see the sea you see is not what other see. Sonic Inquiries and Practices.

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Experimentelles Formen. Galerie Michael Haas. The body that moves. Agnes Scherer Savoir Vivre. Echoing Futures — On practices of radical imagination. So that you can personally experience and enjoy your favourite masterpiece live. Olaf Metzel Papierkorb. Karla Black, Alexandra Metcalf. Patterns of Poverty. Taking up the art historical tradition of the self-portrait within a larger, often sacred composition, Ai depicts himself as Judas in all four paintings, his seemingly sardonic laughter alluding to the disruptive quality of his work and the resulting tense relationship with the Chinese government. Further Exhibitions. Daniel Moldoveanu Eloquence!