Mobley hank

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Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Sonny Clark na fortepianie, Jimmy Rowser na basie i Art. Taylor na perkusji. Tone Poet to ekskluzywna seria wydawnicza Blue Note zapoczątkowana w roku, by uczcić Serię Tone Poet produkuje Joe Harley. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Don't Get Too Hip A2.

Mobley hank

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Biscantores, Luca Colombo

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In his late teens at the turn of the s, Mobley played with and wrote for rhythm-and-blues man Paul Gayten; he and pianist Walter Davis Jr. Charlie Parker had just been there before me, and here I come. We all started playing alto, but Charlie Parker was such a monster that we all gave up and switched to tenor. When we listened to Fats Navarro and Bud Powell, we were 20, 21, all of us were learning together. But as you get older you start finding different directions. At the time it was like going to college. It was just doing our thing.

Mobley hank

His solo lines were full of intricate rhythmic patterns that were delivered with spot-on precision, and he was no slouch harmonically either. He soon started playing professionally in the area, and built enough of a reputation that trumpeter Clifford Brown recommended him for a job without having heard him play. He departed in and joined the house band at a Newark nightclub, where he played with pianist Walter Davis, Jr. That led to a job with Max Roach, who hired both Mobley and Davis after performing with them; they all recorded together in early , at one of the earliest sessions to feature Roach as a leader. Mobley spent much of performing and recording with Dizzy Gillespie. In the middle of that year, the original lineup of the Jazz Messengers split, with Blakey keeping the name and Silver forming a new group. Upon returning to music in , Mobley oriented himself by rejoining Art Blakey in the Jazz Messengers for a short period.

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Share this site: more. Indeks My Reverie B3. Czy jesteś pewien, że chcesz zgłosić ten komentarz? Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Early in his career, he worked with Dizzy Gillespie and Max Roach. Zasady dostawy. Curtain Call A3. Twój komentarz został dodany i będzie widoczny jak tylko zatwierdzi go moderator. Social Media. Zasady reklamacji. Anuluj Wyślij.

Hank Mobley is an album by American jazz saxophonist Hank Mobley recorded on June 23, and released on Blue Note the following year. Mobley is considered to be one of the most difficult to find and collectable albums in its original pressing form in the Blue Note discography. It was not reissued in the typical fashion by United Artists in , and sold poorly in its initial pressing.

Indeks Deep In A Dream B1. On The Bright Side wydano: more info: www. Register Login. Udostępnij Udostępnij Tweetuj Pinterest. Zasady reklamacji. Early in his career, he worked with Dizzy Gillespie and Max Roach. Thanks to snobb for the updates. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Please login to post a shout. Don't Get Too Hip A2. Biscantores, Luca Colombo TOP 25 and more filters. Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Sonny Clark na fortepianie, Jimmy Rowser na basie i Art.