Naked skull collection /fashion show

Haute couture is all about dressing up - dressing way, way, up, in fact, naked skull collection /fashion show, in made-to-measure garments that cost as much as a new car. But Jean Paul Gaultier reversed the equation Wednesday, sending out burlesque star Dita Von Teese, who peeled off layer after wildly expensive layer till she was stripped literally to the bone. The campy strip show - which naked skull collection /fashion show with Von Teese in a buff-colored bustier with sequin-covered applique bones mapping out her skeleton - was a fit finale to a fall-winter collection largely about transparency and anatomy, with a dash of morbidness thrown in for good measure. Earlier in the week, Riccardo Tisci showed off the skill of the seamstresses at the house of Givenchy, delivering Mexican Day of the Dead-inspired lace and tulle bodysuits and gowns with appliques that mapped out the bones of the human body.

This collection—as well as being very, very good—felt like a quietly but clearly articulated rebuke to the Instagram-serving move towards piled-on pseudo-rococo maximalism in contemporary fashion. There was nary a sneaker in sight—just traditional bunion-revealing plexiglass heels. The same shapes returned as the colors shifted; a full-hemmed trapeze dress, a split pencil skirt with a lower hem at the back, a wide-cut long jacket over fitted skirts of various lengths, a sort-of technical miniskirt with a drawstring waist. There was also a zippered jacket with a long yoke behind and a zippered open cutaway crescent across the shoulder, and a fitted, softly ruched minidress with an open back and big birthday-present bow at the small of the back. What looked like ostrich skin was artificial and technically coated.

Naked skull collection /fashion show

We might only be a couple of days in right now, but we've already been treated to some seriously fabulous clothes and celeb-filled front rows courtesy of the likes of Christian Dior , Peter Do and Vaquera. Our highlight thus far, however, has to be Saint Laurent's AW24 show, that took place yesterday [Tuesday 27th February] and, as ever, exuded the kind of late-night, sensual Parisian glamour us mere mortals can only dream of. But the best part? Creative Director Anthony Vaccarello themed his latest collection around one of the biggest fashion trends of recent years, and a longtime Cosmo favourite: naked dressing. Yep, the whole show was all about clothes at their most invisible, featuring see-through dresses , sheer skirts, barely-there underwear and low-denier tights aplenty. Olivia Wilde and the majority of the front row dressed on-theme in NSFW transparent pieces and many a "free the nip" look — but Iris Law took her 'fit in a whole different direction for the occasion. The year-old model opted for something decidedly more opaque but no less fabulous, wearing a chic black mini-dress featuring a dramatic low back, elbow-length black leather gloves, sheer tights, slingback heels and a satin skull cap. Yes, really. Scuba diving, but make it high fashion! And it's not as random as it might seem either Saint Laurent sent every single one of its models down the runway in very similar skull caps this season, albeit made from on-theme sheer materials. It's officially a trend, ppl! So get on board.

A deep v-neck pant suit, wide-legged drawstring trousers, and a series of splatter paint pieces were particularly noteworthy. Throughout the following years they gained international recognition and won many awards such as the DHL design award by Mercedes Benz Fashion Week Tokyo.

Lee Alexander McQueen , l'enfant terrible of the fashion world, was a British designer and couturier known for his rebellious creations and unconventional runway shows, which included visual surprises such as life-size Kate Moss holograms and models being spray-painted live on the catwalk. His gripping designs were often autobiographical, taking inspiration from subjects such as his Scottish heritage or his passion for scuba diving, as well as from pop culture, art and history. McQueen's often aggressive and violent themes polarized audiences, although largely the dark aesthetic of his designs made them memorable and thought-provoking. The dress below was part of a collection called "In Memory of Elizabeth Howe, Salem, " that was inspired by the infamous Salem witch trials, after his mother traced her bloodline back to someone who was prosecuted and hanged during the hearings. The cascade of golden beads trailing down the front of the design represents the magical power associated with hair in folklore and mythology. From here McQueen continued to push boundaries in everything he did: this corset caused controversy when he defied convention by choosing Aimee Mullins to model it, a double amputee who strode down the catwalk on intricately carved wooden legs. This made her the first amputee to ever be featured on the catwalk.

In , designer Yves Saint Laurent entered fashion territory few designers would dare go near at the time and created his first see-through dress. While showcasing a woman's naked body had many clutching their pearls during that era, the effect has since become a signature of the French luxury house. For Saint Laurent Fall , Creative Director Anthony Vaccarello leans fully into naked dressing to "remind us of what once was at the center of fashion by rendering it invisible: clothes," the show notes read. As such, the collection encompasses transparent silk dresses, nipple-revealing pussy-bow blouses and undergarment-baring pencil skirts that would challenge any office dress code. Saint Laurent has been a leader in the workwear trend that has dominated the past few seasons, and this lineup doesn't lack in corporate-ready suiting, as seen in the big-shouldered blazers and straight-leg trousers.

Naked skull collection /fashion show

Saint Laurent played a careful game of reveal and conceal for its fall collection. Contrasting the transparent with the opaque, creative director Anthony Vaccarello focused on fabrics that were either gossamer-thin or satisfyingly thick. Think: strapless bandage dresses, midi-length halter gowns, and all the usual Saint Laurent signature skirt-and-top sets—newly rendered in deliciously translucent sheers. On the opposite end of the spectrum, there were cocoon-like coats in slick patent textures, silky sleek dresses with built-in garter belts, and large furry coats and scarves held as stoles while models strolled down the runway. The inspiration behind it all, to put it simply, was naked dressing. Despite the theme being a relatively common concept in fashion, Saint Laurent attempted to shape a new version through careful codes that felt closely tied to the house.

You re my angel you re my darling angel

In Memoriam Peace on Earth Lee Alexander McQueen , l'enfant terrible of the fashion world, was a British designer and couturier known for his rebellious creations and unconventional runway shows, which included visual surprises such as life-size Kate Moss holograms and models being spray-painted live on the catwalk. Take Me There! The models were showered with water when sprinklers turned on over the catwalk for the famous finale. After all, it takes a pretty good sense of humor to pull off an impeccable beige sheath dress with sleeves ending in stuffed fish-face hand puppets. But Jean Paul Gaultier reversed the equation Wednesday, sending out burlesque star Dita Von Teese, who peeled off layer after wildly expensive layer till she was stripped literally to the bone. TommyNow Spring Ready-to-Wear. Community papers. Newsletters and Alerts. Saint Laurent sent every single one of its models down the runway in very similar skull caps this season, albeit made from on-theme sheer materials. From here McQueen continued to push boundaries in everything he did: this corset caused controversy when he defied convention by choosing Aimee Mullins to model it, a double amputee who strode down the catwalk on intricately carved wooden legs.

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Privacy and Terms. The models were styled very fresh with braided hair, delicate heels and tulle socks. The most consistent hint of froufrou here were the faux ostrich feather pieces. Getty Images. The designs featured computer-generated imagery suggesting reptilian markings while the color scheme changed from green and brown to blue and aqua. Newsletters and Alerts. The glass walls then fell away and smashed on the ground. Load More. Look 8. But those feathers were really just frames, skeleton-like outlines worn over simple cotton jersey slip dresses, fossils of froufrou. Look 7.