Native instruments razor review

A lot of VST synths are trying to recreate and preserve the past.

Razor is an additive synthesizer built with the Native Instruments Reaktor technology. Razor was created as a joint effort between Native Instruments and Errorsmith , a Berlin-based music producer and a well-known Reaktor instrument designer. Being a big dubstep fan that I am, this was more than enough reason to grab Razor and see what it can do. The interface is split into several familiar-looking sections for oscillators, filters, envelopes, LFOs, effects, etc. Anyone with basic understanding of how synthesizers work should be able to start experimenting with Razor right away, even without reading the provided manual nevertheless, reading the manual is always a good thing, and the Razor manual is very informative and well-written.

Native instruments razor review

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5. The pristine and extremely dynamic sonic character of additive synthesis allows Razor to generate a wide and very distinctive array of energetic, hypermodern sounds, ranging from expressive basses and leads to complex, futuristic soundscapes. Razor utilizes up to partials for its sophisticated sound shaping algorithms. The dual oscillator section provides a wide arsenal of timbres, ranging from typical analog-style waveforms to unconventional models like "Primes", "Sick Pitchbend" and "Hoover Sync". The two filter sections offers 20 different filter types including innovative formant, vowel and waterbed models. A further section provides an arsenal of unique "Dissonance Effects" that further contribute to the unmistakable, charismatic sonic footprint of the instrument. Razor even integrates a high-performance band vocoder that can also be used to process external audio signals of any type. The user interface of Razor builds on familiar concepts of subtractive synthesizers, providing especially efficient and intuitive control for the underlying highly sophisticated synthesis engine. Razor also includes a library of carefully selected presets with a focus on cutting-edge electronic sound aesthetics, accommodating both contemporary club music genres like Dubstep and Techno as well as modern film and game scoring applications. Comment on this story ». New Reaktor instrument announced Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith.

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Paired with powerful fine-tuning features — did somebody say Safe Bass? Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance. Mostly playing a supporting role in the full-spectrum pop arrangement, the bass leaps into the foreground in the verses for a series of lithe, precise pitch bends which steal the show. The Sheffield producer has long balanced an avant-garde sensibility with dazzling sonic clarity. When pushed to its extremes, Razor does just that.

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5. The pristine and extremely dynamic sonic character of additive synthesis allows Razor to generate a wide and very distinctive array of energetic, hypermodern sounds, ranging from expressive basses and leads to complex, futuristic soundscapes. Razor utilizes up to partials for its sophisticated sound shaping algorithms. The dual oscillator section provides a wide arsenal of timbres, ranging from typical analog-style waveforms to unconventional models like "Primes", "Sick Pitchbend" and "Hoover Sync".

Native instruments razor review

Let me share my top recommendations. Synthesizers are simply amazing. Because you have so much control and power to design and shape new sounds to use in your music. There are several factors to consider when choosing a VST synth for your composer toolkit. However, there is no such thing as one synth to rule them all. Every synth is is different. They all have a different sound, a different workflow, interface, features etc. Omnisphere by Spectrasonics is a powerhouse of sounds and features.

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Simple to use. Rian Treanor — Obstacle 4. New forum posts Re: Baffled by studio wiring. Share this article. Useful visualisation of partials. Comment on this story ». Add Your Gear Setup. What does it sound like? How to make an immersive chillstep track with atmospheric vibes Discover the soothing melodies and atmospheric beats of chillstep music and learn how to make it in this step-by-step tutorial. The US producer approaches techno as hypnosis, excavating the richness buried in simple sounds and putting psychoacoustic phenomena in a techno frame. Equally twisted are the two filter sections, each with an almost entirely different set of 11 types, with only low-pass and band-pass shared between them. However, it absolutely shines on Dubstep and styles that demand a more digital style that simply is impossible on a subtractive synth. The mixture of threat and humour is key to this track from Fever Ray, co-produced by Swedish studio chameleon Peder Mannerfelt. The second offers additive-fuelled takes on chorus, reverb, unison and more, with unique features such as the ability of the reverb to follow the pitch of the currently played note, preventing long tails from muddying the sound.

Today, its unapologetically digital signature can be heard on tracks by boundary-pushing experimentalists like Mark Fell and Jlin as well as mainstream hits by the likes of Kendrick Lamar and Dua Lipa — even Jean-Michel Jarre has found a place for it in his collection. Additive synthesis is, in short, the process of creating complex new sounds by stacking up partials — simple sine waves with precisely controlled frequencies and amplitudes.

Modeselektor feat. The only two minuses in my opinion are the Reaktor format and somewhat longer loading times, but these are just minor flaws when compared to the great sound and features offered by Razor. The US producer approaches techno as hypnosis, excavating the richness buried in simple sounds and putting psychoacoustic phenomena in a techno frame. Razor is firmly in their toolbox, having appeared, in some form or other, on most of their tracks. Its job is to put a gentle twist on the classic bass sound, and it does so neatly and unfussily, striking a balance between weight and precision. The mixture of threat and humour is key to this track from Fever Ray, co-produced by Swedish studio chameleon Peder Mannerfelt. Brilliantly designed and brilliant sounding. Now, in , we're practically tripping over new, affordable analogue synths from Korg, Arturia, the modular manufacturers and so on. The six available dissonance effects can change the sound dramatically, and are a perfect tool for creating weird, out-of-this-world kind of noises. March 4, 5. Previous story Next story.