Pulp fiction imdb

Sign In Sign In. New Customer? Create account. Mia : Don't you hate that?

Sign In. Pulp Fiction Hide Spoilers. I like the bit with the cheeseburger. It makes me want to go and get a cheeseburger. Was this review helpful? Sign in to vote.

Pulp fiction imdb

Sign In. Edit Pulp Fiction Pumpkin Amanda Plummer Honey Bunny Laura Lovelace Waitress John Travolta Vincent Vega Samuel L. Jules Winnfield Phil LaMarr Marvin Frank Whaley Brett Burr Steers Roger Bruce Willis

We got into this thing with the best intentions and I never

Sign In Sign In. New Customer? Create account. Jump to Summaries 6 Synopsis 1 Edit. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption. Jules Winnfield Samuel L. Jackson and Vincent Vega John Travolta are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace Ving Rhames.

Dialogue drives Quentin Tarantino's "Pulp Fiction,'' dialogue of such high quality it deserves comparison with other masters of spare, hard-boiled prose, from Raymond Chandler to Elmore Leonard. Like them, QT finds a way to make the words humorous without ever seeming to ask for a laugh. Like them, he combines utilitarian prose with flights of rough poetry and wicked fancy. Consider a little scene not often mentioned in discussions of the film. The prizefighter Butch Bruce Willis has just killed a man in the ring. He returns to the motel room occupied by his girlfriend Fabienne Maria de Medeiros.

Pulp fiction imdb

T wenty years on, Quentin Tarantino's Pulp Fiction has been rereleased in cinemas, and it looks as mesmeric and mad as ever: callous, insolent, breathtaking. The icy wit, the connoisseur soundtrack, the violence of which the N-bombs are a part , the extended dialogue riffing, the trance-like unreality, the inspired karmic balance of the heroin scene and the adrenalin scene, the narrative switchbacks that allow John Travolta to finish the film both alive and dead, the spectacle of him being made to dance badly, but also sort of brilliantly … above all else, the sheer directionless excitement that only Tarantino can conjure. In it broke over my head like a thunderclap, and in s Britain this touchstone of cool seemed to extend its dangerous influence everywhere: movies, fiction, journalism, media, fashion, restaurants, you name it. Everyone was trying to do irony and incorrectness, but without his brilliance it just looked smug. Travolta and Samuel L Jackson play Vincent and Jules, a couple of bantering hitmen working for Marsellus Ving Rhames , who is highly protective of his wife, Mia Uma Thurman , and about to conclude a payday from a fixed boxing match; Marsellus's fighter, Butch Bruce Willis , is haunted by a childhood encounter with his late father's best friend a jaw-dropping cameo from Christopher Walken. Everyone's destiny plays out with that of a couple of freaky stick-up artists, played by Amanda Plummer and Tim Roth. In , all the talk was of former video-store clerk Tarantino's indifference to traditional culture. That patronised his sophisticated cinephilia, and in fact, 20 years on, the writerly influences of Edward Bunker , Elmore Leonard and Jim Thompson seem very prominent.

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Nevertheless, I got round to watching it about a month before my 15th birthday- incredibly late at night on an occasion where I found myself home alone. Butch : Well you should be happy, 'cause you do. They eat at Jack Rabbit Slim's, a s-themed restaurant, and participate in a twist contest, then return home. It's more than that. We're gonna be cool. Mia : Uncomfortable silences. When gangsters Jules and Vincent talk to each other or all the other characters, for that matter there is a natural flow, a sense of realism and yet something slightly over the top and very theatrical about their lines — it's a mixture that immediately grabs your attention even if it's just two dudes talking about what kind of hamburger they prefer, or contemplating the value of a foot-massage. Instead of following the widely used 3 act structure, Pulp Fiction makes up its own and while the 3 stories may seem completely disconnected at first, once you look closely you can find the underlying themes that they all share. Marsellus : Get your ass out of here. New Customer?

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Sure, the violence may be somewhat stylised and at times over the top, but that doesn't mean the film is saying that violence is something trivial. Jules : Correctamundo. You probably went over a bump or something. And, on top of that, the script and acting are exceptional. Brett : Go right ahead. The motherfucker that said that shit never had to pick up itty-bitty pieces of skull on account of your dumb ass. Vincent : You know what they put on French fries in Holland instead of ketchup? Mia Wallace Jerome Patrick Hoban Videos Ha ha ha ha. The fourth time Instead of fleeing, he decides to save Marsellus, and arms himself with a Katana from the pawnshop. There is no point. Jules : Yeah, but, you are aware that there's an invention called television, and on this invention they show shows, right?