Ray gun magazine

To wit: soul patches, Vanilla Ice, tribal tattoos, toe rings, the swing-dancing craze, and. Donald Trump, ray gun magazine. Ray Gun: The Bible of Music and Style by founding publisher Marvin Scott Jarrett who later went on to start Nylon is a page coffee-table tome filled with covers, layouts, photos, and ray gun magazine text from a periodical once as infamous as it is now mostly unknown.

Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance. In terms of content, Ray Gun was also notable for its choices of subject matter. Ray Gun produced over 70 issues from through Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. Contents move to sidebar hide.

Ray gun magazine

Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Visually it was awesome and, somehow, it worked. In January , just eight years after it started, Ray Gun was over, with Jarrett shutting the cult magazine down to focus on other projects including Nylon , which he founded in We were just doing our own thing and I think because it was authentic it ended up making a lot of noise, which was fantastic. It resonated with a lot of people around the world. Henry Rollins was really interesting to me because not only was he this alternative punk guy, he was all about his poetry and had his own publishing company, which I thought was really cool. Sonic Youth were the quintessential, archetypical, post-punk noise band from that time, so obviously they were in, it just made sense. And we got Spike Jonze to shoot them, actually, which was great. And then I put my love of playing music together with my love of magazines and started making music magazines.

Smashing Pumpkins. Chemical Brothers.

From my hotel room in Frankfurt. Right side remainds me of Rothko a bit Digital print from 35mm photograph on archival paper by David Carson Branding Carson. This was the graphic-designer-as-rock-star, living an itinerant life of wall-to-wall airport lounges, luxury hotel rooms and limousines-before Carson, only British designer Neville Brody had come close to occupying such a rarefied position. But what else could be expected from someone whose work teeters precariously between the usually well-defined bound-aries of art and graphic design? Some six years after The End of Print was first published, David Carson is still managing to maintain his controversial position. While he is no stranger to exhibiting in museums abroad, appearing as part of a group show held in a commercially led fine-art gallery is somewhat different.

Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance. In terms of content, Ray Gun was also notable for its choices of subject matter. Ray Gun produced over 70 issues from through Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. Dear Wikiwand AI, let's keep it short by simply answering these key questions:.

Ray gun magazine

Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not.

Guitar chords to wild horses

Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. On the Way to Coney Island No matter: What came through was a no-compromise, aux barricades! Ray Gun: The Bible of Music and Style by founding publisher Marvin Scott Jarrett who later went on to start Nylon is a page coffee-table tome filled with covers, layouts, photos, and occasionally text from a periodical once as infamous as it is now mostly unknown. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. Even the KISS cover was super cool to work on. Sure it did. Ray Gun produced over 70 issues from through Sonic Youth were the quintessential, archetypical, post-punk noise band from that time, so obviously they were in, it just made sense. And, in combination with the repeated use of his name in the works themselves, there is little doubt that this is a branding exercise. You can unsubscribe at any time. Rizzoli New York. The majority of the work on show is not really new, either in terms or its content or direction. Categories : Defunct magazines published in the United States Magazines disestablished in Magazines established in Magazines published in California Music magazines published in the United States.

David's design is a language, not a style.

Did Ray Gun once actually publish an interview with Brian Ferry in which the entirety of the text was rendered in the Zapf Dingbats font, making it completely illegible? Read Edit View history. One of the best things about making a magazine is turning people onto different music and new cool things they might not have otherwise heard about. Article Talk. Santa Monica, California. We gave them a lot of freedom to experiment. Or is this merely the next logical step in his brilliant career? You can unsubscribe at any time. Save this story Save. In terms of content, Ray Gun was also notable for its choices of subject matter. Likewise, the recycling of letterforms continues in his more recent experimental letterpress work. But what else could be expected from someone whose work teeters precariously between the usually well-defined bound-aries of art and graphic design? Now they appear as isolated moments that say more about Carson and his process of working and his travels than they do about the substance of his experience. It is high quality, but it is a new brand. Being between the UK and the US was inspiring and amazing — it gave me more of a global outlook on things.