Rick owens vogue

That might be overstating things, but the opening looks did feel unexpected.

Like all of us, when Rick Owens catches a flight he is obliged to transit through airport retail. This does not sit right with him. For Owens this experience epitomizes contemporary mass luxury and what he observes as an intolerance of difference that is the result of its function to sell a dream of sameness—a standard. And when I wear my platform boots as I go through the airport it is to oppose airport beauty. This is my resistance. Not unlike laughing at a bully, deploying absurdity is one of the most potent ways to subvert enforced conformity.

Rick owens vogue

I was working with a dealer in New York who would send me images of sarcophaguses that were up for auction. Finally, this one came, it was so worth the wait. We call her Liza after Liza Minelli. I'm Rick Owens and this is my place in Concordia, Italy. My factory is across the street and this is where I come to do my collections. In this space, I don't like living with a lot of things. I'm not very acquisitive but the things that I do live with are very special to me. And I'm gonna show you around. This is a George Minne sculpture. He was a Belgian sculptor associated with the Viennese secession. It's called Kneeling Youth and it's a study, I believe, for a fountain that's encircled by these youths leaning over it.

When I work rick owens vogue interiors or furniture, I'm pretty much a reductivist. It feels strange to use this word in the context of Rick Owens, but they were downright pretty. For several years I have been collecting these Onagadori rooster feathers.

Not invariably but mostly, their silhouettes were like bowties: out and wide at the shoulder and ankle and cinched inwards at the middle. As Owens observed from between his mega-brimmed baseball cap backstage, even portlier people could work the look—those pants sat high to create a center-point at the base of the sternum, north of the paunch. And then came that bang: also every eight seconds or so, fireworks would detonate from one of six towering rigs set in the Palais de Tokyo pool and fill the space with swirls of purple and yellow smoke. The smell of cordite was in the air. Ash rained down.

By Nicole Phelps. That might be overstating things, but the opening looks did feel unexpected. Yes, the models wore contacts that turned the whites of their eyes black, but beyond the otherworldly special effects were three of the most elegant looks seen on the Paris runways this season. Fitted close to the body and perched on top of impossibly high platform sandal-boots, they had the look of s screen goddesses on steroids. It feels strange to use this word in the context of Rick Owens, but they were downright pretty. The deep reds and mauve-ish pinks kept the positive vibes flowing. Flowing is the right word for the silk capes that he designed with rounded hems to catch the wind and billow like parachutes. They were a sensational sight as the models made their slow perambulations around the Palais de Tokyo plaza. Walking through the fuchsia pink and acid yellow fog and showers of rose petals, the final five models wore loose-fitting jumpsuits that conjured hazmat suits, not least of all because of their coordinating sheer veils. Other shapes rematerialized alongside the donuts: the collars that soared past the ears, the shoulder pads like something out of a gladiator game.

Rick owens vogue

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They feel a little fussy to me, so the domesticity in this apartment is pretty minimal. I had a fantasy of actually breeding them myself but that's not very practical, but you know one day, maybe. This is inspired by Joseph Beuys who was my first art hero when I went to art school and he used army blankets as a symbol of protection and insulation and isolation. Detail Look 1. I'd also put out a book on Larry Legaspi and in the book he talks about his fascination with the movie, Things to Come by HG Wells from the s. In any place that I've ever lived in, including Hollywood Boulevard, Los Angeles, I've always insulated an upholstered my spaces with army blankets, vintage army blankets. Detail Look 2. View saved images in My Account. It's kind of severe and a little bit maudlin, a little bit melancholy, but also vaguely spiritual. The angle of the back it's- you have to sit so upright.

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For several years I have been collecting these Onagadori rooster feathers. It is regal and cozy on a winter morning when I'm wandering around having coffee on the terrace. Giacomo Balla is usually a lot more colorful than this. Look 3. Look 4. It is silk taffeta lined with a cotton pello ovo fabric. Beauty Look 4. I like to start from a clean slate every collection but these have stayed here. View Slideshow. Look 3.