Torso t1

Looks like a creative small machine.

A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument. Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly. The T-1 can be customized to suit your music.

Torso t1

The T-1 is a great idea, and built like a tank. Together with the 2. So next to releasing powerful updates for free, they also support their user base in getting the most out of it. The level of craftsmanship, quality and support at Torso is just fantastic. I hope they fare well as a company and will keep up their great work. We are proud to announce the release of the biggest ever firmware update yet for our algorithmic sequencer T-1, adding a notable amount of features and new ways of interacting with its signature sequencing algorithms — all of which were developed in close collaboration with our wonderful community. Important features in the new free update 2. Per-Step Editing. Everything from the voicing, random amount, pitch value, and note division can now be changed per step. This allows for creating complex arpeggiators, evolving midi effects, and MIDI looping. Wow, this update looks like it packs a fair punch!

Voltmeister April 10,pm I hope they fare well as a company and will keep up their great work, torso t1. Computer Music.

I was surprised that there is no thread on this topic yet, because the Torso T1 seems like something a lot of lines members would be interested in. So here we go. Might be useful to solve problems and discuss workflows…. I really like it so far. It took me quite long to figure that out.

The effects of an injury to the first thoracic vertebrae, often from a car accident or other trauma, can be lasting and significant. Located near the top rib, an injury to the spinal cord at this level can create problems with nerves, sensation, and movement in the rest of the body from this point down. Like other back injuries, fractures to the first thoracic vertebrae may or may not involve the spinal cord. When the injury does involve the spinal cord, the injury may be complete or incomplete. The details of your case have a significant impact on the lasting effects of this type of injury. Between your cervical neck vertebrae and your lumbar spine lower back are your thoracic vertebrae. There are 12 vertebrae in this area, often referred to as T1 through T

Torso t1

A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument. Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly. The T-1 can be customized to suit your music.

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Everything from the voicing, random amount, pitch value, and note division can now be changed per step. Midi out 2 goes via a trs cable to the Knobula Poly Cinematic module. The ability to place a ratchet on a specific step. Computer Music. I had to tweak the ppq and play with a number of different settings on the E-RM Multiclock but got it working mostly. This machine speaks music. Simple panel layout and a happy accident machine. So next to releasing powerful updates for free, they also support their user base in getting the most out of it. Yes, since firmware 2. Ok I was thinking to use the arp functions etc. Our main thought was to introduce a faster and more fluent workflow. This is good so far, but the stand-out feature for the T-1 is the use of Euclidean rhythms. This allows for creating complex arpeggiators, evolving midi effects, and MIDI looping. No display to bother with. I got my T1 last June.

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I had to tweak the ppq and play with a number of different settings on the E-RM Multiclock but got it working mostly. Tangible visuals. We can now put down arbitrary pulses and lock them to specific values and all sorts of wonderful things like that. For example on fx track place steps 1 and 8, lock repeats on step 1 and voicing on step 8. They consider starting from a different Cycle than 1 and rotating an entire pattern useful, so those features might be implemented in a future update. To keep things interesting you can apply random to parameters of the 1st cycle and you can apply random to the order of cycles. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. I struggle a bit with the workflow when trying to use the T1 in this way, particularly with copying and pasting tracks — I wish there was a way to copy a single track into a different pattern. You can treat those pulse as parameter locks for incoming midi. Or is there a way to do this? I know what you mean. It took me quite long to figure that out. Voltmeister February 17, , am 4. The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity.