20471120

During the 90s and early s 20471120 was a powerhouse, 20471120, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks. Due to its resurgence in popularity amongst the archive community we thought it necessary 20471120 get more information on the brand and its 20471120 Masahiro Nakagawa, 20471120. We have conducted a short interview with Nakagawa himself to help bridge the gap between the past and the present. So Mr.

Alluding to the future, as the name indicates the 20th of November, , the founders have taken cues from deconstructionist design paired with a dramatic affinity to fictional worlds. Collaterally to their product design, presentations were understood as performance art. While fashion shows are usually exclusive to industry people, 20 saw them as get-togethers of its devoted community. Thus, tickets were available for purchase, having led to audiences of over fans. In , co-founder Nakagawa felt overwhelmed by the speed of production, identifying the need to break the vicious cycle.

20471120

Two, zero, four, seven, one, one, two, zero. What do these numbers mean? In I thought that there will be a world where diversity and individualism are advancing as fast as computers and mobile progress. I thought that individualism and expression would have become the mainstream of fashion. And when I thought of the brand name, I felt that the numbers of that year represented a future of diversity, individuality, and creativity. The book '' by Masahiro Nakagawa documents the history of while masterfully capturing its essence. He is also diffused into other similar characters, like him with bunny ears, or a panda face. Towards the end of the book is a flowchart depicting a service the brand provided called the Tokyo Recycle Project System, a Margiela-esque process that reconstructs garments and repurposes them into something new. Its playful nature fit perfectly with the aesthetic, becoming synonymous with it in the process. Beyond the wacky concepts and mesmerizing charm, I feel that Mr. We are already seeing a huge shift in the way people express themselves, especially due to technology. We will just have to wait until November 20th, to find out.

ClothingUra-Hara Guest User January 18, japanesesubcultureoriginal20471120japanpunkuraharahiroshi 20471120fragment design. Collaterally to their product design, 20471120, presentations were understood as performance art. Fashion Scans.

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Alluding to the future, as the name indicates the 20th of November, , the founders have taken cues from deconstructionist design paired with a dramatic affinity to fictional worlds. Collaterally to their product design, presentations were understood as performance art. While fashion shows are usually exclusive to industry people, 20 saw them as get-togethers of its devoted community. Thus, tickets were available for purchase, having led to audiences of over fans. In , co-founder Nakagawa felt overwhelmed by the speed of production, identifying the need to break the vicious cycle. Eventually, its progressive ethos marked the end of , as Nakagawa saw it as an independent enterprise. Articles Shop About Contact. View fullsize.

20471120

Circus, amusement park, Evangelion Because there are some things that I want to convey. The right page is a huge handmade object placed on the 2nd floor of a shop in Tokyo. These are the faces behind The big mask is a purchasable item in the studio. Objects like horse legs are also on the second floor of the shop. The photo above is Choro-Q sleeping soundly on a chair. As shown in our previous article based on Store Interiors , we see a more in depth analysis on the philosophy of the store design along with words from Masahiro on why he went such a path.

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Eventually, its progressive ethos marked the end of , as Nakagawa saw it as an independent enterprise. Collections Featured. The key brand before fragment design. Facebook 0 Twitter Tumblr Pinterest 0 0 Likes. And when I thought of the brand name, I felt that the numbers of that year represented a future of diversity, individuality, and creativity. Fashion Scans. I know you were influenced by anime, but were you influenced by music or movies, can you give me some specific examples from your collections that were directly influenced by anime or other references? Riley Riv. Towards the end of the book is a flowchart depicting a service the brand provided called the Tokyo Recycle Project System, a Margiela-esque process that reconstructs garments and repurposes them into something new. What were your references for your collections? This is a personal question: What were your favorite animes at the time and do you still watch anime now? Bringing BAPE to a new light. We are already seeing a huge shift in the way people express themselves, especially due to technology.

During the 90s and early s it was a powerhouse, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks. Due to its resurgence in popularity amongst the archive community we thought it necessary to get more information on the brand and its creator Masahiro Nakagawa. We have conducted a short interview with Nakagawa himself to help bridge the gap between the past and the present.

External Resources. Fashion Scans. Using record labels as a catalyst for cultural identity. I know you were influenced by anime, but were you influenced by music or movies, can you give me some specific examples from your collections that were directly influenced by anime or other references? How do you think your childhood shaped your interest in art and fashion? View fullsize. All you need to know about this legendary skate brand. Doraemon and Crayon Shin-chan were more child-like anime I liked as well. Eventually, its progressive ethos marked the end of , as Nakagawa saw it as an independent enterprise. Why do you think that is? Throughout your collections you created a lot of headpieces like the lizard one in During the 90s and early s it was a powerhouse, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks. We are already seeing a huge shift in the way people express themselves, especially due to technology.