Goto atsuko

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Atsuko Goto a featured artist in Beautiful Bizarre Magazine Issue is the overseer of a delicate wonderland. Her paintings ooze magical tidings, crafting a realm of otherworldly characters that appear like ghosts, gods or perhaps even monsters. Atsuko weaves together a bewitching world that calls to the dreamers within us. Inspired by her homeland, Atsuko primarily works with Japanese techniques and mediums to create her uniquely soft, muted palette. She paints with Japanese ink, gum Arabic and even uses a brilliant blue lapis lazuli as a part of her dried pigment collection to create her signature moody dreamscapes. The use of a cotton canvas gives her paintings an interesting texture, which melds her colours together like the sweep of blush along skin.

Goto atsuko

Atsuko Goto creates beautifully melancholic images of delicate figures cloaked and merged with natural elements, everything from flowers and butterflies to insects, birds, and fish. Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Inspired by Japanese Shinto and the belief that nature is animated by divinity and sacred spirits harbored in every living and inanimate thing, Goto creates imagery that conveys this feeling of profuse life force and intangible mystery, offset by a darker suggestion of mourning and lament. Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Silence and forlorn composure define this existence of the preternatural. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is Read More. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is unsubstantial. A feeling of entrapment and isolation persists, however, in the quietude. Like hauntings from the subconscious, the paintings feel like faded dreams, surreal distortions bordering on the ominous. Unsettling, the muted beauty of these diaphanous idols loom, uncannily caught in a thin veil between worlds. Please contact us if you would like to buy an original painting by Atsuko Goto or to be notified when we have new available art for sale. Atsuko Goto - "Intrigue" - Arabic gum, pigments, gold powder, silver powder, mica, Japanese ink, lapis lazuli on cotton cloth. Atsuko Goto - "Endless Complaints" - Arabic gum, pigments, gold powder, mica, Japanese ink, lapis lazuli on cotton cloth.

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Atsuko Goto creates beautifully melancholic images of delicate figures cloaked and merged with natural elements, everything from flowers and butterflies to insects, birds, and fish. Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Inspired by Japanese Shinto and the belief that nature is animated by divinity and sacred spirits harbored in every living and inanimate thing, Goto creates imagery that conveys this feeling of profuse life force and intangible mystery, offset by a darker suggestion of mourning and lament. Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Silence and forlorn composure define this existence of the preternatural. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is Read More. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is unsubstantial. A feeling of entrapment and isolation persists, however, in the quietude. Like hauntings from the subconscious, the paintings feel like faded dreams, surreal distortions bordering on the ominous.

Goto atsuko

Atsuko Goto creates beautifully melancholic images of delicate figures cloaked and merged with natural elements, everything from flowers and butterflies to insects, birds, and fish. Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Inspired by Japanese Shinto and the belief that nature is animated by divinity and sacred spirits harbored in every living and inanimate thing, Goto creates imagery that conveys this feeling of profuse life force and intangible mystery, offset by a darker suggestion of mourning and lament. Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Silence and forlorn composure define this existence of the preternatural.

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Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Oops, seems like you disabled JavaScript in your browser! We use cookies on our website. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Instagram Facebook Twitter Website. Atsuko weaves together a bewitching world that calls to the dreamers within us. Atsuko Goto - "Intrigue" - Arabic gum, pigments, gold powder, silver powder, mica, Japanese ink, lapis lazuli on cotton cloth. Atsuko must be blessed with the virtue of patience, for it only takes one glance to admire the bounty of line-work and symbolism collaged throughout her collections. Language Switch. Share

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August 22, Language Switch. Essential cookies enable basic functions and are necessary for the proper function of the website. Further Reading They appear to wield a pearl of all-knowing wisdom as they look through us, in us, and past us. Read More. She works with minuscule brushes and a steady, meticulous hand that is able to define details with ease. Atsuko Goto - "Holy Indulgence II" - Arabic gum, pigments, gold powder, silver powder, platinum powder, mica, Japanese ink, lapis lazuli on cotton cloth. We use cookies on our website. Ah, the special bond that can exist between animal. Beautiful Bizarre Magazine takes your privacy seriously, we will never share your information without your express permission. Others appear half-awake, stuck within the limbo of their fantastical realities. Oops, seems like you disabled JavaScript in your browser!