Vintage taylor smith taylor china patterns

Greg and Teresa Benkert of Cincinnati Ohio, began their friendship with the Museum of Ceramics in when they agreed to loan their extensive collection of Lu-Ray Pastels, made by Taylor, Smith, and Taylor, for a temporary exhibit. The Benkerts delivered the ware, vintage taylor smith taylor china patterns, presented a MoC Talk on the topic and returned to retrieve their treasures at the end of the exhibit. Teresa began collecting Lu-Ray because of childhood memories of her mother setting a Lu-Ray table. Greg is owner of Innergreen, Inc.

Shown below are cuts from two undated catalogs. The first is from around and features a set of fancy embossed shapes. The second set shown is from circa It features fewer shapes and simpler forms. It was during this time pieces were picked up from standard dinnerware shapes namely Normandie and Latona and given art ware treatments. Most of the decorations used involved blended tints of various shades with decals of fruits, figures, or flowers. Earlier pieces were decorated with gold trim or gold stipple, whereas later pieces relied more on the blended tints.

Vintage taylor smith taylor china patterns

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Drink within 24 hours. Lu-Ray Pastel shapes were largely based on the earlier Empire shape designed by J.

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It replaced the twenty-year old, ornate Garland shape. Versatile was created to meet the demand for clean, rimless shapes that became popular in the very late s and early s. Traditional handles and finials were not used on the casserole and sugar, nor on lids of the coffee pot and teapot. Instead, handles were made as tab extensions. Besides the solid color line, Pebbleford, Versatile was also made in pastel glazes - with and without decals, and in white with decals and underglaze decorations. Several Versatile patterns made use of special "fade away" or wash trims along the rim.

Vintage taylor smith taylor china patterns

The distinctive square shape and its patterns were designed by Walter Dorwin Teague. Montgomery Wards sold at least three Conversation lines. Interestingly, when Wards initially sold Conversation in pastel glazes, the colors chosen were blue, gray, yellow, and pink. When gray was discontinued from Lu-Ray in , Wards changed the color lineup in Conversation to blue, green, yellow, and pink. Shortly thereafter, the Conversation shape itself was discontinued. As a result, green Conversation is harder to find than the other four glazes.

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Gonzalez, The Versatile line was designed by John J. This teapot is one of the early shapes. Unknown shape. Garnish with mint , mix and serve. They enjoy traveling and often spend considerable time in antique malls and stores. Pour into cups, place cinnamon stick in each and garnish with whipped cream. Spoon Boat. Stir in an additional 12 cups of water. Remove bags, cool, and refrigerate. Tip: put mint leaves in pitcher before adding water or add pineapple, peach, or guava to the pitcher before the water. Dice 1 slice fresh pineapple and add. The pottery, operating in Chester, WV, was in business until when the Anchor Hocking Corporation, who had purchased the business in , closed the pottery at the end of that year. Normandie Plate.

The following article was written by Lucille T. Cox and ran in several pottery trade publications in Photos shown did not appear with the original article.

The first is from around and features a set of fancy embossed shapes. Chocolate pot with round finial Coblat with gold stipple decoration. The curvey shape of this pot was sufficiently pleasing and needed no additional embellishments. Taylorcraft, designed by John J. Add freshly sliced lemon. Gilkes the Versatile is seen here in Appalachian Plaid. Normandie Plaques. Stir in 2 Tbs agave syrup and steep for 4 — 5 minutes. The Benkerts delivered the ware, presented a MoC Talk on the topic and returned to retrieve their treasures at the end of the exhibit. Palin Thorley andintroduced in